Two Left Needles

Knitting, spinning and dyeing
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July 2006 - Posts

The knitted swatches are the fun part! But first...

Below you can see the skeins in their relaxed, un-set state. You can see there is a little twist in the short draw skein and about twice as much in the from the fold skein:

silk singles - twist
left: short draw; right: from the fold

I think you can also see that the short draw skein is pretty darned fuzzy. Cheryl observed that the halo on the short draw skein diminishes the luster/shine. I think she's right. It's quite a bit fuzzier and a little more "matte" looking.

Super closeup:

silk singles - twist comparison

I wanted to compare twist angles here with the "control" skein, purty blue ArtYarns Regal Silk gifted to me by Maria (hi Maria!). Unfortunately, the super sunshine made that pretty tough. I did notice the Regal Silk didn't have much of a halo at all. How did they do that??

The next day I steam set the twist under just a little bit of tension. It worked nicely:

silk singles - steam set
left: short draw; right, from the fold

I think it helped a bit with the halo, but it's hard to tell:

silk singles - twist comparison
left: short draw; right, from the fold

(I did try to compare twist again but I started going blind.)

Knit swatches

Woohoo! The fun part! Look at this gorgeousness:

silk singles - swatches
left: short draw; right, from the fold

2 swatches, stockinette and lace, for each method. Unfortunately, I wasn't clever enough to do them in the same sequence, so we need a few photos to compare them sufficiently.

Color comparison

First off, you can see the color gradually shifts from bottom to top. Nice stuff. Of course, a sweater will never be this narrow, so the stripes would be a lot narrower. This particular dyed top is dyed in a loop, however, so instead of using one loop at a time, you could use 2 loops at the same time to make each stripe twice as wide. Or 3. Or n. Or mix them up. Oh, the possibilities.

Looking more closely (and strictly looking at color):

silk singles - color comparison
left: short draw; right, from the fold

The color shifts in the short draw swatch is subtle and gradual. You can see it below as well. The from the fold swatch, on the other hand, jumps between colors erratically to achieve a more mottled, complex look. Both are beautiful, just depends on the look you're going for. Honestly, the color blending in the bottom right swatch is one of the things I love about spinning. 

If you're using the short draw drafting method I demonstrated yesterday, you can control some of the color shifts by choosing how many tufts you pull, which colors you allow in your bunch, etc.

The short draw swatches look a little muted, as noted earlier with the yarn. (The color difference in the gold/peach below I have to attribute to dyeing differences.)

silk singles - color comparison
left: short draw; right, from the fold

Stitch comparison

Now let's look at the stitches themselves. I shoulda zoomed in more.

The from the fold swatches have better stitch definition for both the stockinette and lace pattern:

silk singles - stitch comparison
left: short draw; right, from the fold

It's a bit harder to see in the lace pattern, since:

  • they're not blocked
  • the colors of the from the fold swatch and the carpet work against the stitch pattern
  • the short draw swatch happens to use the portion where I spun thicker so this lace pattern really needed to be on the next size up needle

20/20 hindsight. My opinion, since you ask: when I stretch the two swatches out, and allowing for some of the above factors, the lace pattern shows up crisper on the from the fold swatch. Also, as before, the fuzziness obscures the short draw stitches a little bit.

silk singles - stitch comparison
left: short draw; right, from the fold

What you can't see

All four swatches are verrry soft. I just want to squish them all day. Naturally, the short draw swatches are softer than their counterpart because the yarn has less twist.

When it comes to handle, short draw is pure drape while from the fold has more structure. It still drapes nicely, but short draw verges on limp. Again, which one works for you depends on what you're going for.

Also, I just noticed that from the fold stockinette has a very slight tendency to bias to the left. You would either need to account for this in your design, or spin with less twist.

Knitting with the grain

If you're spinning then knitting singles, it's smoother sailings to knit starting from the beginning end, the first bit you spun. Why? Well, as you spin, you smooth the fibers down. If you knit from the beginning of the yarn, the yarn is going through your fingers "with the grain", smoothing down in the same direction as when it was spun. If you start with the other end, you'll rub the yarn "against the grain". You can test by rubbing your singles; one direction will cause the fibers to get all jumbled up. You want the smooth direction to be towards you, from the ball to you.


Spinning singles with handdyed silk is fun and the color possibilities are endless. The luster, softness, drape and incredible color all make it wonderful to spin and knit. Singles also preserve the color sequence better than plied yarns (with the exception of navajo-plying). I played with spinning short draw and from the fold, sequentially followed the dyed color, and compared only 2 stitch patterns. There are plenty of ways you can vary the spinning (and knitting!) to get different results. The longer staple length and faster drafting do take getting used to, but as with all spinning, practice will get you far. I hope I've encouraged you to try it out for yourself!

Thanks for the suggestions on shawls. Several of you suggested Folk Shawls, and frankly, I'm surprised I don't own it. I'll definitely check it out.

Making the Happy Things list yesterday was harder than I thought. But here's an easy one for today:

Happy thing 1: I've met some really great folks through my blog and I really appreciate that. When I started blogging I read about people who made all these friends through blogging and I thought, that sounds cool, how do I get that? It doesn't come overnight. But when you realize it's happened, it's pretty darned groovy.

Enough with the happy mushy talk. Let's talk fiber.

I hope I didn't build up the silk thing too much. I've just had a lot of fun with it and have been impatient to show what I've been working on and get some feedback.

For months now I've been wanting to spin silk singles, similar to the Tilli Thomas silk, or ArtYarns Regal Silk. I bought a bunch of handdyed Interlacements silk top on eBay. I started playing.

loverly Interlacements silk
pretty Interlacements silk top

I spun 2 samples, ~1 oz each, using regular short draw, and spinning from the fold.


For short draw, I gently predrafted to unstick the fibers. No length-wise splitting. The top looks like the pink end in the photo above.

For the fold, here's how I used to do it:

I would grasp the end, put my other hand further than a fiber length apart and pull:

how I used to pull a fiber length

This method results in pulling off more than a fiber length. With other fibers, as I spun, sometimes I would have "holes" in my fold (if you've done this, you know what I mean).

The way I do it now takes a smidge longer, but is worth the effort and pretty much eliminates the "holes". I learned it from Barbara C-V at my spinning lesson.

I grasp the very end of the top with my thumb and first finger, put my other hand just beyond a fiber length, and pull:

how I now pull a fiber length

The pulled portion is a fiber length long, but not as thick as the full top.

a fiber length pulled

so I place this atop the top so the ends line up, and pull again:

placing the fiber length over the top

and repeat two or three times to get a thicker bunch:

several pulled lengths

Here's the next bunch:

another batch of pulled lengths

As you can see, this method allows for cool color blending to take place. You'll be able to see this in the knitted swatches.


I believe conventional spinning wisdom states that spun singles should not have more than a 28 degree angle of twist. I don't have a spinning protractor to measure that, but I'm working on it. Meanwhile, I eyeballed it.

I really struggled spinning short draw. The three things that made it hard for me were:

  • the longer fiber length (6-8") made it harder to maintain an even thickness
  • it was really hard to draft fast enough to maintain low twist in the singles
  • my natural instinct was to spin finer than I wanted; I'm either used to spinning finer or I'm used to thinking in terms of 2 plies

Bottom line: I just need to practice. I improved as I went, but the first stuff is a lot thinner and you can definitely see it in the knitted swatches.

Spinning from the fold, on the other hand, was pretty smooth. The only concern I had was that, in order to effectively spin from the fold, I had to allow more twist. It shows in the yarn and the swatch. It doesn't appear to bias the swatch, though. 

The main difficulty I had was the long fiber length. Occasionally the fibers would get twisted up or the long ends would get caught. I learned to keep the ends out of the way.

Oh yeah, also, I spun the wheel in the "plying" direction. Since most yarns are spun with Z twist and then plied in the opposite direction, I figured I'd skip the Z twist step and spin in the opposite direction, ie, with S twist. As it turns out, ArtYarns Regal Silk has a Z twist, so I think I overthought that one.

On the bobbin:

silk singles: short draw and from the fold
top: from the fold; bottom: short draw

Notice there are more mixed color portions in the from the fold yarn. Also, the from the fold yarn looks more sturdy.

The yarn

As I wound the short draw singles off the bobbin and onto a niddy noddy, I worried the yarn would break. It definitely felt more delicate so I was more gentle (and stressed) with it. I also noticed it had much more of a halo.

Yardage-wise, I ended up with ~80 yards of short draw singles, and ~90 yards from the fold.


loverly silk singles
top: from the fold; bottom: short draw

Are ya getting used to the green picnic table yet?

What? You want a close up?

silk singles close up

Tomorrow I'll talk about and show you the knitted swatches!


Only happy news allowed this week.

Happy thing 1: The humidifier works great. In a week it's brought our basement humidity down from the upper 60's to a comfortable 50. I spent a couple of hours sweeping, reorganizing, designating for trash and recycling. We still have a ways to go, but it's a good start.

Happy thing 2: I plied 4.2 oz of the rambouillet/silk last night, it came out to 520 yards. 520 yards!

Rambouillet/silk 2 ply

That's a lot of freaking yardage!

Rambouillet/silk 2 ply

The singles sat on the bobbin for a while and I haven't set it yet so it's still kinky.

Rambouillet/silk 2 ply

With 5.4 oz left to ply, that's more than enough for a nice shawl. It'll be my first handspun shawl. Any suggestions?

Happy thing 3: I joined the Northeast Handspinners Assocation and am signing up to attend The Gathering this fall. I doubt I'll get any of my first choice workshops, but it'll be fun to go. I hope they're not full!

Happy thing 4: I nearly forgot - I'm signed up for a dye workshop this weekend! Wheeee! It's taught by Linda Whiting, the same person that did the dye workshop for Erin, Cheryl and co. I'm looking forward to it.

Okay. Let me show you the shawl and get that out of the way. Tomorrow I want to start showing you the silk samples I've been playing with. Fun fun.


Finished: 7/21/06
Pattern: Flower Basket Shawl by Evelyn Clark, Interweave Knits Fall 2004
Yarn: Hand Maiden's Sea Silk in Rose Garden
Needles: #7
Notes: I loooooove love love this yarn. Love it. Love. It. It's soft, has incredible drape, that awesome silk sheen, the colors are gorgeous, it photographs like a mo-fo in the sunlight, man, what more can you want? The pattern shows nicely, it feels good wearing it, it was nice to knit with. Do you really want me to go on? Lovely lovely stuff. AND, I'm so glad I got it at half off. Just one more thing to love about it. ;)

I was worried that I'd run out of yarn. I did run out. Rather than frog back and lose a whole bunch of yards, I decided to throw the dice and try to maximize the shawl size and yarn use. I ended up casting off in pattern on row 9 of the edging. I could have used about 20-30" more yarn to get a looser cast off, but I'm happy with the end result:


It blocked bigger than I expected. After completing only 6 of the 7 main pattern repeats I thought I'd have a smaller shawlette, but the finished wingspan is ~54" and it's ~27" high, same as the pattern specs. Good stuff. On my 5'2" frame, it's a perfect fit. If you want a larger shawl, you'll definitely need a second skein.


Obligatory window shot:


Thanks for your kind comments about the accident. I read them before we went to Gram's, and as we drove, I felt kinda guilty. Hey, I'm okay, I thought. Talking and writing it out musta helped. Guess I'm over it.

Gram wasn't doing so hot. Neither were we. We bought a photo printer last week and printed out some photos to bring with us. Of our wedding. Of our honeymoon. Of the last couple of visits (though the photos we take when we're there all look the same: posed, on the sofa). I had hoped having the photos there would remind her of our visits. I had hoped they'd make her smile. They weren't the 'hit' I hoped they'd be. I don't know what I expected, they're just photos. And when we're there, why would she look at those?

We took a couple more again, same pose, same location. I'll print them out and bring them next week. Meanwhile, I'm thinking up ideas for different photos. Something a little more interesting. Wouldn't it be fun to get a photo of Gram sticking her tongue out? Or maybe just one of her laughing. I don't know, she's old school; she comes from the generation when you kept a serious face for photos.

She didn't want us to leave. I left feeling that it wasn't enough. Our visit wasn't enough. What we could do was not enough. It compounded with the helpless and useless feelings from witnessing the death. Yeah, guess I'm not quite over it.

It's gonna be a rough week.

I hoped to show you FBS, but man, not on such a down note. Instead, here's the scarf I finished FBS to begin:

Sand River - started

It's for my sister. I hope she likes it. (Hey Sis, do you like it? If you don't, let me know. Sooner than later. :)

Yarn is Lorna's Laces Lion and Lamb. Yum. Silk merino, my favorite.

Lorna's Laces Lion and Lamb

I love the 3-dimensionality of the stitch pattern. Reminds me of sand dunes in the Sahara. Or, in another colorway, a river. So I think I'll call this project "sand river".

Sand River - rich texture detail

Despite my talk of turkeys and the overabundance of trees, ours is not a quiet street.

*     *     *

Last weekend around 2 am, a car pulled into our driveway while I watched Judith MacKenzie's McCuin's video "Spinning Exotic and Luxury Fibers". Shortly after, a police car pulled up as well. Turns out the kid had passed the cop, panicked, hit a rock wall, and then pulled into our driveway as if he knew us. As soon as he told the cops he had a couple of drinks, Scott said, "he's bumming". Sure enough, they hauled him off.

*     *     *

Last night, as we were going to bed, we heard a squeal and crash. Scott rushed out to see what had happened while I called 911. Scott said a motorcyclist had crashed into a tree and was lying face down, moaning (I could hear him from the house). I went out with FBS over my shoulders, not knowing if there was anything I could do, but wanting to be there just in case.

It was an anxious few minutes before the police arrived; we told him to "hang in there" and that "help is on the way", though we didn't know if he could hear us. His moaning was weakening. The police arrived; we told them what we knew and then we all waited for the ambulance. The officers didn't want to move him unnecessarily, his head was at an awkward angle; but the moaning was getting weaker and his heartrate slowing. Finally they carefully turned him over to see what they could do.

The firetruck arrived first and they started CPR; I could see the motorcyclist's stomach jumping up with every downward thrust on his chest. They tried to intubate, they tried to get a line in, they hooked him up to a monitor. All those things you see on TV, but without the glamour and choreography. Or lights. Scott had brought a flashlight, so we stood shining it onto the motorcyclist so the workers could see.

At first I couldn't even look at the motorcyclist; I was afraid of what I might see. Once the police had turned him over, I took quick status glances and mostly focused on other things. By the end I could look for brief moments, but the details were too disturbing. Eyes rolled. Cut on his nose where his helmet smashed. Legs awkwardly placed. Stomach jumping.

By the time the ambulance arrived, it didn't seem there was much they could do. There were now 5 vehicles with assorted flashing lights, including the firetruck behind me whose engine occasionally roared and startled me. I realized I was freaked out and started breathing slowly, trying to calm down. I wondered how the officers, fire fighters, and EMT's did this, day in and day out.

To the end I kept hoping he'd come out of it. I sent him silent encouragement. Even after he'd stopped breathing and before the fire truck arrived, the officer standing over him kept calling his name, trying to get him to come back.

When they took his helmet off I could see he was a young kid, maybe in college on summer vacation. Maybe on his way home.

Life can change in an instant. Unexpectedly.

They took him away and we went back inside. The officers stayed to figure out what had happened. Scott and I stayed up for a while talking about it.

The EMT's were on-call, meaning when they got the call, they jumped out of bed, drove to the ambulance, and then drove out here. If they had arrived when the police did, there was a chance they might have been able to do something; but even then, he faded quickly. I realized that if something happened to us, at night or perhaps in the evening, we'd be in the same boat. One of the advantages of city living -- ambulances at all hours of the night (Scott: 'cuz they need 'em). Maybe it's time to take a CPR class.

In the end there were 5 vehicles and 7 or 8 people there, not including us, all hoping for the best and doing what they could. So many people to save one. I suppose in an actual hospital the ratio is even higher, but it's not something you really think about. Until you need it.

Wearing FBS was strangely comforting to me. I couldn't tell you why, but having it wrapped around my shoulders made me feel a lot better.

*     *     *

Today there were flowers placed by the tree where he crashed.

*     *     *

Life will go back to normal. For me. I'll go back to my spinning, knitting, working, blogging. But maybe in the midst of that, I'll remember to sign up for that CPR class. And look into some of those things you think you don't need until you're old, grey and wrinkled, like a living will.

I definitely have a new appreciation for what rescue workers do, and how things happen in small towns.

Meanwhile, I really hope next weekend is just a quiet weekend.

Last night I heard noises in the bushes outside the window, so I sent Scott to investigate. Turns out it was a skunk. For some reason, we thought it was a good idea to take its photo. We crept up on it but it shuffled off. Not fast, but fast enough. Do you see it?

skunk under the trunk

No? That bright spot under the car, that's it's eye. Thank goodness it didn't spray us.


It was close.

I knit the remainder of the row and had almost 2' extra yarn from my marked off thirds. Good start. I cast off the next half row and came up against the next marker. Not a good sign. By simple logic, I should be short 2' before finishing. 20 stitches before the end, despite your good thoughts and my wishful thinking, and just as I had calculated, I ran out.

I really wanted to keep the row, as it was the final decrease round and helped flesh out the edging. Plus, I was already leaving out 3 rows of the pattern. So instead of frogging back, I decided to cheat first.

Starting at the beginning of the row, I tightened up the stitches, one by one, all the way across, so that I had just enough to cast off. And by just enough, I mean a 2" tail to sew in. It took a long time, a lot longer than frogging and re-doing the row (twice) would have. But I wanted to be sure I didn't tighten up too much.

Unblocked, it looks okay:

FBS - edging

But blocked, it definitely doesn't have the scalloped edges of the original pattern.

FBS - not-so-scalloped edge

I know, can you believe it? I went ahead and blocked it! This is a record. Truly.

Look, it's a 2 board project!

FBS - blocking

The white board was something I built in my early twenties (egads, that's more than 10 years ago), out of foam core, thin black sticky tape-like stuff, and covered with that plastic sheety sticky stuff you put on shelves:

handmade blocking board, 10 years of loyal service

I spent a lot of time making the lines straight. Obviously, back in the day I was low on funds and high on time.

Look at all those holes, I'm surprised it lasted as long as it has.

FBS - blocking

White blocking board, you have served me well.

Anyway, I'll see how the shawl looks off the pins and wires and see if it's missing something. (I suspect it will.) If it does, I'll frog back a row or 3 and come up with plan B.

PS:  The yarn is Hand Maiden Sea Silk. Lovely stuff. I bought it half off at a yarn closing sale and resisted buying a second skein because of the price, and dyelot worries. I think it's fabulous for FBS or shawls in general, but if you want a full sized one, get 2 skeins.

I've been playing with silk on the wheel but I don't have a post ready yet. Instead, I'll show you an almost done FBS:

FBS - almost done!

Are you shocked? Knitting content?? Hehehe.

Man, I love taking photos of this yarn in the sunlight. Love love love it. But what's that at the top of the photo?

Why, all the yarn that's left:

FBS - not much yarn left...

As you can see, I'm mid-row on the wrong side. I guesstimated that I had enough yarn to finish the row and then one more after that. Maybe. I'm sure you've heard, it takes about 3 times the width of a piece to knit one row. Problem here, it's on circulars and I'm mid-row, so I'm not quite sure what a width is. Hence, maybe.

It might be just enough, or not quite enough. Either way, it's close. Of course, when you take into account bind off rows take more yarn... I could be screwed, right?

But I prefer to stay optimistic. And, I want to start another project. And I'm already at my limit of 24. Heh. One way or another, it'll work out.

Here's my view at lunch, and the (green) bench where I've been taking photos:

lunchroom with a view

I particularly enjoyed this view in the winter to chase away (stave off?) the winter blues. A dose of sunshine in winter goes a long way.

Well, I wrote it a few weeks ago, and I've learned a couple of things since then, but here are some things I learned from my spinning lesson with Barbara Clorite-Ventura last month. Better late than never, right?


My previous method of checking the twist was to take a small section of plied yarn, say 6-8", and bring the ends together. If the yarn doubled on itself it was under or overplied. If it hung loosely, it was balanced. To figure out if it was under or overplied, I took that same section and either added or removed twist and retested. I had also begun to sample when starting to ply, and pulling off a plied section from the bobbin to see how the finished yarn would look.

When plying, to get a balanced yarn you want the fibers to be running parallel to the yarn. I had heard that before, but we actually inspected the yarns under a magnifying glass. If the fibers are angling right or left, you need to add more or less twist.

I learned that, when it comes to looking at tiny things up close, I can see much better without glasses.

You can also examine the look of the plied yarn. If it looks kinda thin and stringy, then it probably needs more twist. When it looks more round, it is probably more balanced.

To check your results, you can pull some of the plied yarn from the bobbin. If you're a purist, you will only pull the section between the bobbin and the hook, and not let it go off the hook. When you're done, you can roll the bobbin to rewind so as not to add more twist.


My main methods to now have been:

For worsted: keeping my fingers pinching the point of twist and separating my forward and backward hands to include the amount of fibers I want, and then bringing my forward hand back to allow the twist in and smooth down fibers. This has worked well for most prepared tops and rovings.

For woollen: point of contact, allowing twist to enter the drafting triangle and pulling fibers with the forward hand; this works well for batts and spinning from the fold. Something I've been doing automatically was to slightly unroll the spun yarn prior to pulling, making it easier to draft. I was told this was a good thing.

A new method I learned was what I call "pinch and pull", and it sounds like what Judith MacKenzie McCuin recommends. You don't allow twist to enter the drafting triangle, and you pinch the amount of fibers you want and pull them out about 1/3 fiber length. To get a true worsted, you want to work from the entire top width and not split it lengthwise, so you will have to angle your pinching and pulling to the right and then left to work your way across the top.

The pinch and pull was tough for me because my right thumb wanted to act as a brake on the fibers, and that caused little bunch-ups to gather in my right hand. If I didn't brake, then I felt the fibers getting away from me. Maybe I needed to adjust the take-up to be even less.

With the seemingly inevitable bunch-ups I was growing, a bit of drafting helped straighten them out. And when that didn't work, or when I was at the end of a piece, I could chuck the bad parts.

Chucking bad parts has been tough for me to learn. Veggie matter I've always taken out. But in much of my spinning, I've let little bumps, bits and neps go by unchecked. I figured they added "character" to my yarns. But as I progress and attempt finer and smoother yarns, I've started taking the time to take out those bits, neps and bumps. When spinning laceweight, those little neps really change the look of your yarn! What I'm learning is that everything you do, or don't do, affects your final yarn. Given the amount of time you spend making it, and the fact that, once made, you can't really re-spin it, it makes sense to put a little extra care or work into making the yarn you want, that you'll be happy with when you're done.


I didn't stab anyone. Yay!

Let's see... the whole thing was pretty new to me, so I was happy to learn how to do it.

The coolest part was dizzing off the fiber and creating soft cloudy top. The hardest part was throwing away the shorter bits that were left on the combs after dizzing; it seemed like such a waste. The thing is, you have to expect waste because you're working from fleece. With prepared roving or top, they've already thrown away the waste and you don't have to see it. I guess it's like skirting a fleece, too. Why hold on to subpar bits? Garbage in, garbage out, right?

Thanks for the nice comments on the NC spun yarn! The magical transformation that is spinning, gotta love it.

Two things I did differently with these yarns:

I (mostly) didn't draft the fibers or split them. I used to separate combed top into narrow strips that were closer to the finished single, and then pre-draft the whole thing. For thin yarn, that took a looooong time. After reading Spinnerella's notes from her spinning lesson with Judith MacKenzie McCuin (paraphrased from memory: it's only a true worsted if you don't split the top and if you work from the whole width, moving side to side), after my spinning lesson with Barbara Clorite-Ventura, and after reading somewhere that there were 2 "camps", those that pre-drafted and those that didn't (before I read that, I didn't realize people didn't pre-draft!), I decided to try this not-pre-drafting thing out.

I split Calico Cat into 2 strips so it wasn't so unwieldy. But I didn't pre-draft. And I did a little pre-drafting on the primaries dyepot, but only because it was felted.

I kinda like it. It's less prep time, and esp in the case of dyed top which will stick together more than undyed top, I feel like I have to pull the fibers out, which, while more work for my fingers, also means that the fibers aren't slipping out of my fingers, either. More control. If it's very sticky, though, I would probably do some light attenuating (I'm not even sure if I'm using that word right). Eg, last night, while trying out some silk, I didn't split the top but I did do some gentle pre-drafting to open up the top a bit, allowing the fibers to move past each other better.

The second thing I did differently: whack that yarn! I read on the Knitter's Review Forums (sorry, can't find the link now...) that you should abuse your yarn to finish it, even out the twist, etc. I gave it a try. It made the merino fuzzier, not sure I want that. But it didn't affect the BFL the same way. I don't have a before and after, but I think it made a positive difference. I'll be (selectively) abusing my yarns from now on.

It's steam sauna hot today. Even at 11:17 pm, the heat has not let up much. We have 2 window A/C units in our basement from our previous apartment dwelling life. Back when windows went up and down and A/C units fit logically. Our 30+ year old house has casement windows, the kind that go side to side. We haven't found our solution yet. Meanwhile, life without A/C, not so fun.

On the plus side, the Mosquito Magnet we bought for a terrific price at season's end 2004, which we finally got up and running a few weeks ago, magnificent. We used to get eaten alive. No hyperbole. Eaten. Alive. We used to run from car to house, house to car. They waited for us, swarmed and attacked us. No more. Hardly any mosquitos in our yard now. It's wonderful. We might get some yard work done now. If the incessant rain and raising heat let up. Or, more accurately, if I can tear myself away from the wheel.

We also bought a humidifier for our basement, it's much too damp down there (the unit tells us it's ~65% humidity, at what % does it start raining indoors?). We have a full unfinished basement that serves as storage and that icky place where the washer and dryer live. Well, sort of storage. No books or yarn, of course. We're hoping to one day finish it and make it liveable. It's at least 15 degrees cooler down there now -- if only it weren't so buggy (spiders) and damp and ill-lit, we could beat the heat down there. One day.

Meanwhile, we picked up a new shower head (with 8 fancy settings) and a new hallway light (which Scott already installed). Before: 20 year old showerhead and bare bulb (okay, I exaggerate on the showerhead). After a few dual paychecks, we're starting to edge away from tight-belted frugality and starting to look at improvements around the house. We even picked out paint colors for the bedroom! 2 1/2 years and we've only painted the bathroom. This is a huge step! I may even shock you with a new living room set one day. But don't hold your breath.

I went to Knit Club at Fabric Place in Framingham last Friday and made this startling revelation: a lot of knitting can be accomplished if you sit down and knit! Shocking, isn't it? Because I sure wasn't getting much done while spinning this:

A Touch of Twist rambouillet/silk

9.6 oz of rambouillet/silk from A Touch of Twist (MDSW). 3 oz were spun way back when, the rest finished since returning from NC. It'll be a little slubby and textured when plied. It's soft, has a nice sheen, and was pretty nice to spin. Don't be surprised if I bring back more from Rhinebeck. Just sayin'.

Knit Club knitting helped get me to a finished Trellis back:

Trellis - back finished!

The shaping looks a little wonky (wide below 'pits, narrow after), but I know it's just the way it's designed, so I'm trusting.

I also combed the rest of the cormo with the pet comb, but I think I'll leave that for tomorrow. Time to peel myself from the desk and chair and melt somewhere else. Preferably in front of a fan.

The skies continue to mock me, but I did my best taking photos in the lunch room. Oh, and I found out I was hasty in blaming them for my missing drum carder. Turns out it's been delayed a few weeks. 6, to be precise. Man, I got my hopes up, too, got all excited. I suppose there's no harm in telling you it's a Patrick Green 2 speed Fancicard. It's not like I can keep the secret to myself another 6 weeks.

Alright, that out of the way, let's look at some handspun.


No seriously, gotta catch you up. But here's a preview so you don't think me too cheeky:

Spun yarns hanging out at work, waiting for their closeup
hanging out at work

Back in April, I did some random casserole dyeing. I soaked 8 oz BFL, layered it in 2 casserole dishes, added water and vinegar, and then added dyes. In one, I chose pink, purple and black. The dyes migrated more than I expected and it looked pretty dark:

Purples in the casserole

In the other, I chose brown, orange and blue. (Yeah, I know. What was I thinking? I think it I was inspired to add striking contrasts after reading Deb Menz' Color in Spinning.) The orange dye was gloopy and thick. It seemed to just sit on the surface. I wasn't sure what would happen. The brown looked murky and spread a lot, leaving very little white area. I added blue stripes, but screwed up the placement. It didn't look prety.

Calico Cat in the casserole

I added about an inch of water to the roaster, then stacked the casseroles so they were staggered and let it cook for an hour and cool overnight.

The purple/pink roving came out darker than I hoped, but interesting:

Purples and Calico Cat

Drafting didn't inspire me to spin it, though, too dark and flat:

Purples drafted

The other roving shocked me. All I could think was Calico Cat:

Purples and Calico Cat

Only the top half got any dyes, the rest stayed undyed. I was very disappointed. Enough so that I didn't want to post about it. I didn't want to draft it, let alone spin it. I knew I should just try it: you never know how it'll come out. But with so many other wonderful fibers around me (think MDSW), I hid it away.

A month ago, while dyeing the knitted blanks for Dye-O-Rama, I also soaked a pound of BFL. Dyeing Pink Panther wiped me out, so I left the BFL soaking. For a week. Before I finally realized it might have gone bad.

It had that funky smell that water has after flowers have been sitting too long. Stale and murky. A pound of BFL. Wasted. Ugh. So I washed it. Twice. And dyed it anyway.

Into the roaster with stripes of red, blue and yellow and enough water to just cover. Out of the roaster:

Primaries Luck of the Dyepot


Primaries Luck of the Dyepot

Not what I expected. I was somewhat curious to see how it would spin, but again, with so many wonderful fibers around me, it sat.

When packing for NC, I decided to take things to try out, that I wasn't worried about messing up, that wouldn't require the thought or care of a cormo laceweight or a merino/silk. Something I could spin while hanging out with my sister. I took Calico Cat and 4 oz of the primaries dyepot, as well as 4 oz of Ashland Bay merino in Cassis that I bought at Mind's Eye Yarns during their summer sale.

I spun Cassis in the Providence and Philadelphia airports while waiting, and was surprised that just as many guys were interested in the wheel as women. In fact, they were more likely to come up to talk to me. (By the way, the Ashford Joy fits very nicely in the overhead compartments.)

Cassis was spun from the fold without too much attention. I was spinning to be spinning, and to see how the colors would come out. I haven't done much spinning from the fold so it was good to get some practice.

Cassis was soft and fun to spin. The colors dancing were pleasant and vaguely hypnotic. The finished yarn is bouncy and soft:

Ashland Bay Cassis

I think I'm in love.

(Funny story: at the spinning demo, I passed around a small piece of Cassis so the kids could feel another type of fiber. They all remarked on how soft it was. One of the kids asked why I didn't give them all samples of that stuff. My reply: "Uh, 'cuz it costs a lot more?")

Next up, Calico Cat. I was more than surprised. The singles didn't look at all as I expected:

Calico Cat

It drafted nicely and I really enjoyed seeing how it developed. Plied it still has Calico Cat characteristics, but is much more interesting. I was very happy with my plying on this one, though after a bath it looks like it has a slight bit less twist.

Calico Cat

You can still see distinct bits of blue and orange:

Calico Cat

And the primaries dyepot, well, not as much fun to spin because all that handling did cause some felting. It was hard to get an even single and I didn't try too hard. I soldiered on and was surprised with how green it came out:

Primaries Luck of the Dyepot

Green with splashes of red and blue:

Primaries Luck of the Dyepot

I don't love it, but it's interesting enough that I'll tackle the remaining 12 oz.

All in all, I was very happy to bring home 3 skeins of spun yarn, and to use up some dyed fibers that had been sitting around. I hope I learned that, even if roving doesn't look attractive on its own, it might spin up in totally unexpected and cool ways. I suspect I'll have to learn it a few more times before it sinks in... I think I'll try the purples again, this time less dark; and Calico Cat as well, perhaps with other unexpected combos.

Thanks for your nice comments about the spinning demonstration! I felt a little guilty as I was leaving my now-spinning niece, wondering when she's gonna want a wheel... sorry, sis!

I was driving home from work a couple of days ago, it was sunny and nice. The closer I got to home, the darker it got. Why? Trees, lotsa trees. I realized we need to cut down our neighbors trees so we can get more sunlight. (Not just for blog photos. Really.) Do you think they'd mind?

I threatened before to start taking fibery projects to work to photograph if I couldn't find any good sunlight at home. I finally did. Yesterday. When I left home it was sunny. Wouldn't you know: when I took my lunch break it was overcast; and when I went outside to take photos, it started to rain. Barely. Spitting. Taunting. As if the skies were laughing at me, mocking my futile attempts. Shortly after, it really rained.

Lucky for me Scott has a good view from where he works so he let me know when the sun came a-peeking. I ran outside and got a few photos (below).

If I were a glass-half-full kinda gal, maybe I would see the spitting as a gentle, nay, kind, warning of impending rain. If the skies had wanted to be spiteful, wouldn't they have opened a deluge on me, suddenly and without notice?

This weekend as I was leaving the house, I knocked over a glass-totally-full of orange juice. All over my spinning area. Luckily, only a few drops got on my wheel and most of my fiber was in bags. Still, plenty of fiber got sprayed, including a generous slosh on my newly washed cormo. It took an hour to clean the mess. When I was in high school I went through a period when, just as I was leaving home I'd guzzle down some orange juice and somehow spill it on my shirt. Off I'd go to change. The next day, the same. And the next. What is it with me and orange juice??

Hard won photos

Winterhaven Farm cormo

That's dyed cormo roving from Winterhaven Fiber Farm bought at MDSW. I had spun a sample of it back in May, but was not so happy with it. It was tough to draft evenly and had bits of veggie matter in there. I decided to be okay with irregular spinning, and the portions of roving that are on the inside of the ball are a little easier to spin, but the VM is still annoying. I pull out bits every foot or so of spinning and usually have to stop spinning to get them out. Not so fun.

Below is shetland from a fiber sampler I got in a swap, spun on the Joy. I'm keeping it low twist to keep the softness. When I'm home the Joy doesn't call to me so this bobbin may sit mateless for a while.


I'm also working on some more rambouillet/silk from A Touch of Twist, also purchased at MDSW. Photo soon. I spun up a bobbin back in May (last photo). The prep is not conducive to regular smooth singles, so again I'm being okay with irregular spinning. Still loving this fiber, though.

I managed to get a little knitting done in NC. Almost at the armpits on Trellis:

Trellis - in progress

I wrote a draft of this at work, and, surprise, surprise, I lost the post. It's the skies. I know it's the skies. They're being spiteful! When I left work, it was raining. They knew I didn't bring an umbrella. As I drove home, it got progressively heavier until it was pouring when I got home. Scott came out with an umbrella for me (awwww), foiling their attempts to drown me. Now that I'm safe inside, no rain. Coincidence? Unlikely! In fact, I begin to suspect that the skies have something to do with the fact that my drum carder is not yet here! It's related, I tell you. I know it is, I just don't know how yet.

Tomorrow I'll show you the yarn I spun in NC. If the skies allow.

A few hours after landing in NC, I went to my niece's school to do a spinning demonstration.

I've never done a spinning demonstration. I've never been in front of a bunch of kids as an adult. When I was about my niece's age, I did a short "play" that was videotaped for class. I think I was supposed to be a farmer's wife. When I watched the video, I noticed I had my hands clasped over my head for most of my scene. I still do that sometimes, it's comforting. (Thankfully, I grew out of the habit while a theatre major.)

I might have wanted to clasp my hands. I was nervous. I had butterflies!

My niece's teacher gathers up the kids right up close to me. I ask, "how long do I have?" She tells me 20-30 minutes, but don't worry if I don't need it all. I'm thinking, don't need it all? I could use more!

I begin, "My name is Monica and I'm here to demonstrate spinning." A hand shoots up.

Me: "Yes?"

He: "Um, well, um, my, um, my question, um, is, um. I have a cousin whose name is Monica." He smiles.

Me (smiling, and thinking, heh, he got you, noob): "Really? Well, I think it's a great name. I like it."

I start handing out 8" of roving to each kid, and ask if anyone knows where wool comes from (sheep!), mention there are a lot of different kinds of sheep, list a few:

handing out wool

It's taking too long, so I give a pile to one kid and say, "take one and pass it along."

Ha! Instant chaos: "I didn't get one!" "Give me one!" "Wait!" "Do we get to keep this?!" "I didn't get one!" I am in awe.

The teacher settles everyone down and I'm chuckling inside.

I tell them to hold the ends of the roving and gently pull. See how easily it comes apart? Then we twist the roving a few times and pull. Aha! The twist is what makes yarn!

learning about twist

I show them how to gently draft the roving to get yarns of different thicknesses, just by pulling and adding twist. They begin to do the same on their own roving.

I move to the spindle, and show them how the spindle does the twisting work, but everything else is just the same.

I move to the wheel, and show them how the wheel does the twisting work, and everything else is just the same. The kids not in the first row are craning to get a good look.

demo-ing the wheel
the chairs, so small

I draft thin, I draft thick. I answer a couple of questions. And then, I realize, I'm done. Demonstrating. It's been 10 minutes. Maybe 12. I'm sheepish. So much for needing all that time! Then I think, what fun is a demonstration without getting to try it?

"Who would like to try spinning on the spindle?"

Hands shoot up! I think the teacher's heart rate picks up. I pick the first person to raise their hand.

spinning the spindle

She spins the spindle while I hold the fiber, then we switch and she drafts.

Me: You've just made yarn!

She smiles.

We switch a couple of times, and then I ask for another volunteer.

Hands shoot up! It's a little overwhelming. How do you choose? 

My niece stands next to me, working on her roving. She's quietly making yarn, fairly even, too. I tell her it looks really good!

she's making yarn

She: Is this a 2 ply?

Me: No, that's a one ply. A single. (I know, I know, it's not called one ply.)

She: Is it now?

By jove, if she hasn't just folded it and let it twist on itself.

Me: Yup, that's a 2 ply.

Kid after my own heart.

I let 4 kids try out the spindle, 2 girls, 2 boys (they were just as enthusiastic to try, thankyouverymuch). I've hit my time limit and pack up to go. I'm jazzed up, excited to share, thrilled that they were so enthusiastic to learn and try something new. Who knows, maybe there's a spinner-to-be in the bunch?

*     *     *

Besides my niece, that is. When she came home from school, she was excited to try the spindle again. Her first time was in January on my last visit, but she mostly enjoyed spinning the spindle and left me to do all the drafting. We started out with the 2 person spindling as in the demo, but then I moved to twisting the spindle and letting her draft. She was so fast I couldn't keep up. Out came the wheel.

(No photos, not with a 13 month old trying to touch the moving parts.)

Over a couple of sittings, she spun up the rest of the practice fiber I had brought. The night before I left, I plied it with what was on the spindle, and then gave it a quick bath:

Bahia's 2 ply

My niece's first yarn. Yup.

Yep yep, a drum carder. Hee.

That's it for fiber content. Heh.

Splashing around

My nephew (13 months) went in the wading pool protected by his flotation lined suit. The boy cracks me up. He splashed and splashed and splashed, and made faces of displeasure when the water got in his face, but was thrilled to be splashing. Two conflicting emotions he happily combined. Of course, when I splashed him (drops, I swear), his smile vanished instantly. Not so funny. 

Playing with Auntie

He wanted to step straight into the pool. The deep end. He's so different from my niece, who was more or less terrified of the water. They're different in so many ways. Yeah, yeah, I know, I had a brother and sister and neither of them knit or spin, man, how different can we be??? It's, like, knit and day, totally.

Bahia teaching me skating moves

My niece (7 1/2) passed her next skate level while I was there and showed me a few moves. She and her friend taught me to skate backwards, something I never could swing on my own. "Just wiggle your butt." Hey, I can do that! I learned to skate when I was a kid in Toronto. In the winter, we'd take regular class trips to Park Lawn to use their rink. Part of P.E. (that's Phys Ed to some of you). I didn't skate well and was generally afraid of falling and hurting myself, having my fingers run over, that sort of thing. In fact, that's how I felt when I got on the ice last week. It's been at least a year and a half since the last time I skated, and at least as long before that. After having my niece show me the skills she's been learning and trying to copy her, I gradually relaxed and felt adventurous. Hey, if she can do it, I can at least try, right? So I figured out how to wiggle my butt and skate backwards. And not be terrified at the same time. Not bad.

Hey Gram,

me n gram

I may be getting old, but I can still learn a few tricks. :)

My sister, on the other hand, can still keep up with my niece. For now. ;)

Lisa and Bahia

(by the way, i look and act younger than my age, so Gram probably thinks i'm young. so when she said, "You're getting old!" on my birthday it was probably an expression of surprise. it's all in good fun.)

I'm back! Phew. What a week. I had a fabulous time in NC and have plenty of stories to share. Tomorrow. Or later this week. Want a preview? Let's see, there was visiting my niece's 1st grade class and demonstrating how to make yarn (!); having my niece teach me how to skate backwards; teaching her how to use the Joy; hanging out with my brother and sister; bonding with my nephew... yup, lots of good times.

I came home to this wonderful surprise:

Dye-O-Rama angel yarn for me!

My Dye-O-Rama yarn! My pal went missing so Sheila of Wool2Dye4 was my angel. Sheila was a Dye-O-Rama sponsor and since I helped organize, we had sent a bunch of emails back and forth early on. When I found out she was going to be at MDSW, we met up and hung out. So I got to meet my angel pre-angel. How cool is that? Sheila included beautiful glass buttons from one of her customers, Terri Persing, that match the yarn perfectly, and some Eucalan wool wash samples. Of course, I'm most excited about the yarn. I can't wait to see how the red speckled one knits up. Thanks so much, Sheila!

I slept most of Saturday, but when I (finally) woke, another package was waiting for me:

Alpaca yarn from Sunrise Ranch

Lucky me, 2 packages in two days! Inside were my Prize Patrol goodies from Claudia's MS Ride: 2 skeins of lovely 3 ply alpaca yarn, so soft and yummy, from Deb at Sunrise Farm. Really. Soft. Deb also included a bar of handmade soap that smells wonderful. I'm thinking lacy scarf for the yarn. Ohhhhh yeahhhh. Thanks, Deb!

Speaking of packages, 2 more bits. Back a month ago, I had a birthday contest. Well, I finally sent out the package right before heading to NC. I didn't take a photo so you can head over to Anne's to see it. Yep, better late than never. :) Check out her beautiful lace shawl in her post from yesterday. Knit in no time. How does she do it?

Last, while I was in NC I got an email from Susan of Susan's Fiber Shop, asking me if my package had arrived. I ordered it quite a while back, but she was out of stock and more were being made. Guess what it is??? It should be here sometime this week. Picture Snoopy doing his happy dance. Yup. That's me. :)